追爱

简介：

杰西是一位音乐会小提琴手，但她的心思已经不再放在小提琴上，于是她前往维也纳演出。在那里，她找到了久违的灵感，以及新的爱情。

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Bhanwar, a simple man, is burdened by the overpowering shadow of his dominant uncle Bhairo who makes decisions on Bhanwar's behalf. To improve their living conditions, his uncle coaxes him to buy a bride

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一位昔日著名的爵士音乐家离婚后，在当地一所贫困高中找到了一份音乐教学的工作。他发现了一名年轻人在小号方面的音乐天赋，于是决定指导他并组建一支乐队，以维持学校的运营。然而，这意外地让他与疏远的儿子重归于好。主演：埃迪·斯布里安和迈克尔·比奇。

简介：茱蒂丝（贝蒂·戴维斯 Bette Davis 饰）是混迹在上流社交圈里的交际花，一次偶然中，她发现自己的脑袋里长了一个肿瘤，命不久矣。悲观而又倔强的茱蒂丝决定对自己所剩无多的人生放任自流，开始了夜夜笙歌的无度生活。　　在一场派对上，茱蒂丝结识了脑科医生斯迪尔（乔治·布伦特 George Brent 饰），斯迪尔为茱蒂丝进行了脑科手术，成功的取出了肿瘤，与此同时，两人也坠入了情网之中。茱蒂丝和斯迪尔很快就携手步入了婚姻的殿堂，婚后的生活充满了幸福和快乐，直到有一天，茱蒂丝发现自己的肿瘤复发了。绝望之中，她恢复了从前放纵的生活，这令斯迪尔感到非常痛苦。

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30好几的杜拉拉（林依晨 饰）二次归来，一心想与王伟（周渝民 饰）结婚的她遇到劲敌美少女沙当当（林珍娜 饰），而另一名追求者陈丰（陈柏霖 饰），和新上司曲络绎（邬君梅 饰）的出现，让杜拉拉对人生的选择陷入迷惘。面对接踵而来的问题，杜拉拉是否能再次“升职”成功呢？

简介：

Marcos Tremmer is a successful advertising executive living in Madrid, deeply in love with his wife, Luci?a. One day, Marcos discovers that a deadly illness will end his life within a few months.

简介：

桑德拉（伊梅尔达·斯汤顿 Imelda Staunton 饰）和丈夫结婚已经四十年了，在这漫长的四十年里，两人之间虽然不能说是从未有过争执，但也算恩爱，桑德拉深深的信赖着自己的枕边人。然而某一日，桑德拉震惊的发现，丈夫不仅有了外遇，外遇的对象竟然还是自己最好的朋友。伤心和愤怒之中，桑德拉选择了离开，前往伦敦投奔自己的妹妹碧芙（西莉亚·伊姆瑞 Celia Imrie 饰）。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

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简介：

教師劉國棟第一天到學校向校長報到，校長欣賞國棟教學方針不會事事懲罰學生，安排國棟教中五年級品行最惡劣的一班，學生首領Ken恃才傲物，要所有同學跟老師作對。Ken上音樂堂時畜意偷窺羅老師，鄭主任要女同學馬嘉慧出來指證，嘉慧迫不得已指證Ken。Ken知嘉慧有案底正守行為，要向嘉慧報復，就以集體失竊指證嘉慧，要她永無翻身之日。國棟看不過眼要好好教訓Ken，Ken不單沒有反省，還要父親向校長投訴，校長跟國棟商量，還是交由鄭主任管教Ken，國棟考慮辭職。
Ken惱羞成怒，認為國棟害他與父親關係不和、同學離棄。Ken變本加厲，用錢命同學打傷國棟，又用車撞向國棟，怎料車輛翻側發生爆炸，國棟冒著生命危險救出Ken。國棟決定辭職，向同學們說自己曾是跟他們一樣反叛，但做人應懂得反思。Ken已感後悔，全校也不捨國棟離開。

简介：

2018 年，导演山户结希策划了一个电影项目，也即是将来自多位同龄女性导演的作品集结起来，形成一部以自我意识和性为主题的完整集合。各位导演需要提供一部短片，之后这些短片反映的主题会被集结成一部混搭风格的电影，其主要目的是为了证明 21 世纪的女性是大胆、多元、富有创造力的，而且她们不会刻意回避这一点。 制作完成时，《21 世纪女子》由 14 部电影短片和结尾处的一部动画短片组成，这些短片均由 80 后或 90 后年轻女导演创作。这部影片大胆探索了关于人际关系、自我意识、性、爱、欲望等敏感话题，充分表现了幕后创作者们的大胆创新精神。

简介：

一本奇书，一个背影……因为种种巧合，学数学的男生郝欣桐遇上了学历史的女生白灿然。一本旧书上的两种笔记，成为历史和现在的交汇点，他们沿着蛛丝马迹，苦苦追寻五四时期的一段真相。而正当一切就要豁然开朗时，白灿然却突然选择了放弃。那本笔记背后究竟有着怎样的秘密？郝欣桐和白灿然又会有怎样的结局？