半个女友

简介：

玛利亚（朱丽·安德鲁斯  饰）是一个年轻活泼的修女，喜欢在大自然下高声歌唱，所以她常常忘记了修道院里的规矩。院长认为玛利亚并不属于规矩严格的修道院。院长与众嬷嬷商量后，决定安排玛利亚到一位名叫特拉普（克里斯托弗·普卢默 饰）上校家当家庭教师。上校的妻子去世多年，留下7个孩子，他要求对孩子严格管教。他告诉玛利亚在他家的家庭教师都做不长久，都是因为孩子的恶作剧。玛利亚果然也遭到了恶作剧，可是这位善良的老师并没有告诉他们的父亲，而是像个母亲一样照顾孩子，很快跟孩子打成一片。上校也渐渐在玛利亚的引导下改变了对孩子们的态度。上校与玛利亚之间发生了感情，他们完婚后回到了已被纳粹占领的奥地利，上校并不想为纳粹办事，一家人准备逃跑……©豆瓣

简介：

瑞秋（玛琳娜·佛伊丝 Marina Foïs 饰）和文森特（尼古拉·杜沃歇尔 Nicolas Duvauchelle 饰）相识在一家珠宝店里，强烈的化学反应在两人之间产生了。然而，瑞秋和丈夫弗兰克（罗什迪·泽姆 Roschdy Zem 饰）结婚多年，文森特家中亦有娇妻特莉（艾洛迪·布歇 Élodie Bouchez 饰），受锢与伦理道德关系的四人决定逾越界限，来一场激情四射的“换妻派对”。
　　这场不道德的狂欢给四具肉体带来了前所未有的快感体验，然而，随着时间的推移，瑞秋发现弗兰克和特莉之间渐渐碰撞出了火花，虽然内心里充满嫉妒，但瑞秋却无法从这种混乱的关系中全身而退，直到有一天，特莉的女儿在母亲的日记里发现了这些成年人一直在玩的荒唐游戏

简介：

林佳莉（张艾嘉 饰）成长于台湾南部传统小镇的医师家庭。她和哥哥林佳森（高鸣鸿 饰）二人自幼接受精英教育，从名校大学毕业。然而，佳莉不愿跟哥哥一样，被迫放弃恋人谭蔚青（胡因梦 饰），而接受父亲之命所强加安排的婚姻。她毅然离家北上，和恋人程德伟（毛学维 饰）在台北这个急速现代化的城市中结婚定居。 然而，70、80年代经济起飞的台湾，商业竞争骤烈，德伟逐渐卷入那个金钱竞逐、应酬酒色的世界，最终迷失了自己。愈益感到孤单空虚的佳莉，一日接到电话告知：德伟已经淹死在海边。她赶赴海滩边，面对那一具不知道究竟是不是丈夫的尸体。 多年后，佳莉重遇外国归来演出的谭蔚青，两人在咖啡厅回忆起旧事。

简介：

简介：

一个男人无法克服自己的个人不安全感，导致他对任何事情都产生怀疑，而这也给他的妻子和儿子带来了极大困扰....

简介：

凯特·阿伯纳西 (Kat Abernathy) 必须通过就读法学院和从事家族诊所来维护自己的家族声誉，直到她面临挑战，需要为自己创造第二个身份，以追求、捍卫和保护她作为画家的热情。

简介：

阿泽（黄成麟 饰）陷入一场追杀危机，为躲避神秘组织的追捕，慌不择路的阿泽逃上了去往彭水的旅游巴士，并“邂逅”了女主角阿娇（南笙 饰）。一段时日后，正当他渐渐爱上阿娇的时候，却发现这一切都是个“阴谋”，而这场“阴谋”在彭水这个爱情治愈圣地却奇妙地发生着令人意想不 到的变化…

简介：

简介：

台北的漫画作者杨纯纯（应采儿 饰）在爱情的道路上频频遇人不淑，而她作品的销路也日渐下滑。杨父要纯纯陪他回大陆看看长城，却被女儿拒绝，谁料杨父独自前往嘉峪关时急病去世，杨父在弥留之际拜托纯纯找到自己当年在大陆的初恋秀倩，纯纯怀疑父亲曾经在大陆结婚，做出了对不起母亲的事情，决定返回老家一查究竟。此时杨父生前在火车上结识的私家侦探方明迪（佟大为 饰）受杨母委托，为纯纯担任向导，性格不甚合拍的二人一见面即唇枪舌剑，但碍于现实情况又不得不同行。在杨父位于雁门关下的老家，二人查知秀倩远嫁银川，他们为寻找杨父曾经的爱情继续前行，而一场新的爱情，又于他们之间发生……

简介：

唯良和丈夫伟业结婚已经九年了，两人共同抚养着两个可爱的孩子，婚姻生活虽然平淡但是不失幸福。一天，唯良的儿时玩伴安萍忽然找到了唯良，两人已经很久都没有联系了，这次，安萍带来了一个坏消息，那就是唯良的丈夫伟业有了婚外情，而婚外情的对象不是别人，正是安萍的妹妹安玲。唯良找到了安玲，想要劝说后者离开自己的丈夫，可是性子倔强的安玲非但没有意识到自己的错误，还咬定了不会放手。伤心的唯良决定在丈夫的身上下功夫，但很快她就意识到，伟业是真的不再爱自己了。这么长时间来，丈夫和孩子构成了唯良生活的全部，一下子，她失去了人生的意义。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：

新近获得新人奖的青年作家相原升（向井理 饰）接到故乡母校高中的邀请，勉为其难要回校做汇报演讲。下火车没多久，他重逢当年被视为女神一般存在的神林学姐，咖啡馆内的交流，让阿升回想起学生时代的一段难忘故事。15年前的阿升（竹内太郎 饰）丝毫没有任何存在感，而学姐神林彻子（石桥杏奈 饰）则备受关注，她的身边则同样是校园里的风云人物宫崎瞬（工藤阿须加 饰）。谁也想不到，宫崎和阿升还是青梅竹马的玩伴。瞬哥背着彻子和名叫百濑阳（早见明里 饰）的女孩偷偷交往，为了瞒过女友他拜托阿升与百濑在校园里假扮男女朋友。为了报答瞬哥，阿升勉为其难答应下来，只是未曾想到这个青春的谎言竟让他久久无法忘怀……