哥本哈根爱的故事

简介：

健身房经理卢（克里斯汀·斯图尔特 Kristen Stewart 饰）爱上了健美运动员杰姬（凯蒂·M·奥布莱恩 Katy M. O'Brian 饰），后者来到拉斯维加斯追寻健美梦想。她们卷入了一个暴力事件，背后正是卢的父亲缔造的犯罪网络。

简介：盛夏。一个古老的庄园。14岁的米佳在这里的夏令营度过了告别童年的100天。集合号、升旗仪式、懵懂的初恋、幻灯片上蒙娜丽莎的微笑、到邻近的集体农庄参加劳动、把莱蒙托夫的《假面舞会》搬上夏令营的舞台，这些便是米佳在“森林岛屿”夏令营中的主要生活。在感受大自然的美好和文学丰盈滋养的同时，米佳也经历着单相思的沮丧和对童年即将过去的怅惘。影片按11个标题划分出段落，每个段落衔接自然。影片内在的韵律节奏推进着情节的发展。　　导演谢·索洛维约夫天才地将绘画、文学和音乐贯穿在本片中。用美和智慧拯救心灵似乎是他一贯表达的主题。本片也不例外。少年纯净天真的气质、内心尖锐的疼痛、自我意识的雏形都得到了完好的呈现。在镜头描绘大自然、光与影的细微图层的同时，索洛维约夫捕捉着人物转瞬即逝的情绪变化，就是在这样一个孤立的岛屿和人生必经的一段旅程上，主人公内心的力量慢慢积蓄。　　无论是《童年过后一百天》，还是之后的《白夜的旋律》、《阿萨》、《黑玫瑰——悲伤的象征，红玫瑰——爱情的象征》、《星空下的房子》等，几乎所有索洛维约夫的影片都涌动着喷薄而发的激情，充满着无尽的魅力。　　本片获1975年柏林电影节银熊奖，1977年苏联国家奖金。

简介：

　　如实供述了一个年轻男子与白血病斗争的勇气和他的信仰之旅。

简介：

艾米莉亚是一名制图师，圣诞节前夕，她接到一个紧急任务，要为孩子们制作一张北极藏宝图。她总是力求在地图上尽可能多地记录事实。当她得知著名探险摄影师德鲁·坎贝尔正在拜访她的小镇时，她的老板建议她与他合作，因为他在北极有亲身经历。艾米莉亚觉得德鲁有点自负，对与他合作心存疑虑。但当她制定了一个计划并强迫他执行后，他们开始更好地合作，两人之间也产生了另一种形式的紧张关系。

简介：

—天夜里,因为时间轴交错,白梦岚家里空降了—位陌生人沈嘉航,经过几天浪漫美好的相处,两人情索渐生,可沈嘉航却给白梦岚带来了杀身之祸,危急时刻,沈嘉航牺牲自己救了白梦岚,可白梦岚却依然期待着与他重逢。

简介：玛丽（艾丽·范宁 Elle Fanning 饰）是一个从小就沉迷于怪力乱神的鬼怪神话之中的鬼马少女，她继承了父母的先进思想，个性独立自强又桀骜不驯。为了让女儿接受更好的教育，玛丽的父亲将她送往了自己的友人威廉（德里克·里德尔 Derek Riddell 饰）家中，在那里，玛丽遇见了浑身充满了忧郁气质的年青诗人雪莱（道格拉斯·布斯 Douglas Booth 饰）。　　玛丽很快就被雪莱迷得神魂颠倒，当她决定跟他私奔到伦敦后，玛丽才发现，原来雪莱早已经有了家庭。然而玛丽不在乎这些，她坚定的选择和雪莱在一起。因为背叛了家庭，雪莱失去了来自父亲的经济资助，贫穷没有拆散他和玛丽，令他们的感情分崩离析的，是雪莱的不忠。

简介：

故事发生在上世纪七十年代的长江之畔。高中生星子（周韵 饰）与同在装卸站工作的陆粞（郭小冬 饰）朝夕相处，互生爱慕之意。当时正恢复高考，俩人商量共赴考场，但高考前夜陆粞因故退出，郁闷的陆粞醉酒后与同单位的水香（张帆 饰）发生了一夜情。星子如愿考上大学，她对陆粞的背叛非常生气，主动断绝了来往。陆粞非常后悔酒后的冲动，虽然新站长提拨了他，但他脑中始终挥不去星子的影子。星子后来与青年军官亦文（陈思成 饰）结合，但激情中她往往错把亦文当成陆粞，她深知她心中真正爱的仍是陆粞。然而，一切都无法挽回了，所有的思念都随着时间的逝去而消散了......

简介：

本片改编自玉岛Non的人气漫画，讲述了容易害羞但工作认真的消防员蛯原恭介与孤独的女高中生佐佐木萌衣之间笨拙的恋爱故事。

简介：Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.　　(Howard Schumann, talkingpix.co.uk)　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.　　(Dennis Schwartz, homepages.sover.net)　　I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.　　(Dave Sindelar, scifilm.org)　　See also the remake Death Takes A Holiday (1971)

简介：

本片根据歌剧“霍夫曼的故事”改编而来，然而它并不只是舞台上的表演，它戏剧化了将一位诗人的三个伟大的爱情故事。故事描述了艺术家在爱情与工作时间的斗争。最终，他虽然失去了每个他所心爱的女人，但取而代之的，他得到了作诗的灵感——把痛苦经历转化为艺术的能力。

简介：

在一个经济不景气的南方小镇上，一位有天赋的年轻画家，患有罕见的皮肤病，只能在黑暗里度过他的一生。一个饱受折磨的年轻女子被她自己的恶魔驱赶着进入了城市，他们的关系迫使双方最终与自己的过去和解，他们最终向前迈进，开始新的生活。@快影盒子

简介：

少年时代的立冬（张鲁一 饰）曾爱慕过一位叫阿川（倪妮 饰）的女子，但在某一天阿川的突然失踪成为了他十几年解不开的心结。为一解思念，立冬与哥哥立春（辛柏青 饰）去到与阿川同名的柳川，只为再见她一面。随着他们的再次相遇，很多过去的故事的真相浮出水面，立冬也知晓了阿川当年离开的真正原因，而他对阿川深藏的爱，却在这场远赴“她”乡的深情告白中愈演愈烈……